Here is some photographic evidence of an art happening I had at 1234GO Records in Oakland over spring 2017. I had already been producing work for another show I had booked at Groove Salon in San Francisco, but I thought it would be a good idea to have a smaller show beforehand to show off some progress work and get some initial feedback from my peers. 

In addition to covering the walls with my art, I also decided to have a few bands play the opening event. I took it one step further by creating some props and projections for the stage. The whole idea was to make everyone feel like they were walking into an experience. A Jewelry Cave experience. 

Aesthetic wise, spring 2017 was a turning point for me. I had dedicated much of 2016 to designing and producing my floating frame transparent work. Since then, I had been really getting into print making as well as getting into working in larger formats. For this particular show, I included both art projects as a bridge from the old to the new. The styles tie into one another pretty well, so I didn't feel like it was too jarring going from one piece to the next. I mean, just look at these pictures... this shit is dope!



At the end of 2015, I had this idea of producing a collage every single day and using Instagram as a platform to catalogue and post my work. I was initially apprehensive to take on such a big responsibility but I dove in head first regardless. 

I'm kind of insane like that sometimes. I can't tell if it's out of fearlessness or sheer stupidity. My therapist is still trying to figure that out as well. 

At first, it was smooth sailing. I churned out a few months worth of work ahead of time and scheduled it accordingly. However, about halfway through the year, I found myself scrambling to make these looming daily deadlines. I managed it fairly well. There have only been a few times where postings were slipped in at the very last second. 

"11:59:59... Eh, it counts."

I can honestly say that I truly know what it's like to suffer for one's art. I found myself burnt out and exhausted at times. I felt like I had no more creative energy to give. But I pushed through. In a way it made me a better artist, designer and human overall. 

Accomplishing goals feels great!

Holistically speaking, I did enjoy the 'push-and-pull' aspect that came with producing so much deadline driven work. You can't love everything you do. If you're passionate about something, you need to let the negatives drive you forward as much as the positives. It's all about balancing it and controlling it. Let the art brutalize you. Let it drive you crazy. Let it become an extension of all your emotions. The good ones and the bad ones. You'll discover new things.

Here is a compilation of all my favorite collages that I built over the year. Watch the video. It's hypnotizing in a weird little surreal way. 

Dig through my Instagram too. I've decided to keep it open for 2017. I'll continue to churn out work for it, but I'll only be keeping it down to a few posts per week. 



Opus Arcade in Palo Alto reached out to me a few weeks ago and was interested in having some of my collage work adorn their walls. It was perfect timing as my show at Chromatic had just ended and I was already looking for new opportunities to show more work. I dig when things just fall into place like that. So, I gathered up around 20-30 pieces that I thought would best suit the space and brought them down. I took the train too. 

Here are some pics of the space as well as the cards made for the showing. 
Cruise by, dye your hair purple and check out my stuff. 



Here is some recent transparent collage work that I displayed at this years Pancakes and Booze show. Nine new pieces on dual layer transparency. 

I also released the first volume of the Spraypainted Prism Art Kit which included things like a postcard, some stickers, a few mini-art prints, some transparent samples and other weirdo knick knacks. I made a 100 in total and they're all gone. 

Good times were had by all!



I’m pretty stoked to announce this upcoming solo exhibition. I’ll be showcasing up to 50 new transparent collages for the month of August at Chromatic Coffee in Santa Clara. Cruise by and you’ll see a technicolor array of psychedelic collage gone wrong. Or right… Either way, it’ll make for some delicious eye candy. 

Chromatic is a cool spot as well. They’re coffee is top notch and the atmosphere they present is chill and welcoming. I'll be talking over their walls from August 5th through the 31st. 



If you’re living under a rock and are totally out of the loop in terms of my awesome Instagram, then you should leave this blog right now and go follow me. —> instagram Here’s the deal. I started my Instagram as a way to continuously output new artwork on a regular basis. My objective is to post one collage a day for the entire year of 2016. I started posting on January 1st and will end the page on December 31st. 365 total days of weirdo Adam Widener collages. I love the idea of giving this project a lifespan. It was born and it will die. My mid-July, I'll be well steeped in the middle age years. 

Anyway, I am gearing up to hustle some art for some Summer public showings and have been experimenting with ways to displaying these collages. I really like the dual layer transparency comps I’ve been doing. But if I want to pump these out pretty quickly, then I may only stick with one layer. 

At any rate, its given the artwork a whole new life. I took some of the Instagram pieces that I’ve been working on and printed them on transparency paper. Then I housed them in floating frames. I like the sleek delicate quality that emits from the art. It’s futuristic, yet primitive. It’s so 2016, yet so 1978. Does that make any sense? Does it even really matter?

Anyway, dig some of these transparent collages. It’s total tripsville, man.



Gestalt is a rad little bar. With its abundance of awesome pinball machines and overall chill decor, its got just the right mix of homely scenery and rustic elegance. It’s dive-y, but not gross. It's a chill spot to swing by after work for a delicious bratwurst and a few games from the Kiss pinball machine. Check it out. 

I recently took over their walls to display some art and had roughly a total of 35 to 40 pieces adorning their space. I honestly could have hung up more if I didn’t run out of walls. But regardless, walking into that bar felt like you fell into a surreal wonderland of 70’s cut up magazines and blinking clanging pinball machines. I imagine this is what heaven looks like.

As I was hanging up my frames, this hippy dude and his friend were enamored by the art. He was interested in buying some. I couldn't believe it. I wasn't even done hanging and I already had some buyers. It turns out he was from the Lake Tahoe area and was visiting the Bay for the week. He mentioned that these collages would look great in the commune house he was squatting in. We went back and forth on price for awhile until his final offer came to a huge stash of killer weed he was holding. This would have been a more than fair trade, but I decided that cash was more in line with what I wanted. I gave him my business card and told him to call me in the next day or so. Unfortunately I didn't hear anything back from him. Too bad. This stuff would have looked awesome hanging in a squatter house. His loss, I suppose. 

In addition to the array of fabulous pictures shown here, I threw together this little video highlighting some of the artwork in action. I even managed squeeze in a song I recorded about a year ago. It's a jangly weird track that I had lying around. You're the first to hear it here. The soundtrack to a crummy quality video. Sure, why not. 

Here's a bunch of pictures of the space. The red walls really make the compositions really pop. They're like little spurts of angular chaos drifting through a sea of blood. Whoa, that's a weird way of putting it. 



I’ll be the first to admit that Prince just doesn’t do anything for me. I’ve tried. Oh lord, have I tried. ‘Controversy' is the only record that I’ve given multiple listens to. I really want to like what he does, but it just doesn’t resonate. 

But what I can can do is appreciate his artistic genius. I can’t deny that he has single handedly created a style and sound that has permeated through our current pop landscape. It’s almost as relevant today as it was in 1982. I can really get behind that. I also love the fact that he sort of divided up his talent and formed these little side bands fueled by his vision. One of those bands, Vanity 6, has always held a special place in my heart.